why should it, anyway?"

The other made no answer; he swerved the car abruptly off the avenue, into one of the nondescript side streets. He drove swiftly to the corner, turned south again, and turned again on some street Pat failed to identify--South Superior or Grand, she thought. They were scarcely a block from the magnificence of Michigan Avenue and its skyscrapers, its brilliant lights, and its teeming night traffic, yet here they moved down a deserted dark thoroughfare, a street lined with ramshackle wooden houses intermingled with mean little shops.

"Nick!" Pat exclaimed. "Where are we going?"

The low voice sounded. "Dancing," he said.

He brought the car to the curb; in the silence as the motor died, the faint strains of a mechanical piano sounded. He opened the car door, stepped around to the sidewalk.

"We're here," he said.

Something metallic in his tone drew Pat's eyes to his face. The eyes that returned her stare were the bloody orbs of the demon of last Wednesday night!

Gateway to Evil

Pat stared curiously at the apparition but made no move to alight from the vehicle. She was conscious of no fear, only a sense of wonder and perplexity. After all, this was merely Nick, her own harmless, adoring Nick, in some sort of mysterious masquerade, and she felt full confidence in her ability to handle him under any circumstances.

"Where's here?" she said, remaining motionless in her place.

"A place to dance," came the toneless reply.

Pat eyed him; a street car rumbled past, and the brief glow from its lighted windows swept over his face. Suddenly the visage was that of Nick; the crimson glare of the eyes was imperceptible, and the features were the well-known appurtenances of Nicholas Devine, but queerly tensed and strained."A trick of the light," she thought, as the street car lumbered away, and again a faint gleam of crimson appeared. She gazed curiously at the youth, who stood impassively returning her survey as he held the door of the car. But the face was the face of Nick, she perceived, probably in one of his grim moods. She transferred her glance to the building opposite which they had stopped. The strains of the mechanical piano had ceased; blank, shaded windows faced 

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