"We'd better be on the lookout for a soft spot." Terry suggested. "It's possible this thing isn't homogeneous, and Papa Phyfe would be very mad if we burned it up after making such a find."

From behind his heavy shield which protected him from the stray radiation formed by the Atom Stream, Delmar Underwood watched the biting fire cut between the gemlike artifact and the metallic alloys that coated it. The alloys cracked and fell away in large chunks, propelled by the explosions of matter as the intense heat vaporized the metal almost instantly.

The spell of the ancient and the unknown fell upon him and swept him up in the old mysteries and the unknown tongues. Trained in the precise methods of the physical sciences, he had long fought against the fascination of the immense puzzles which the archeologists were trying to solve, but no man could long escape. In the quiet, starlit blackness there rang the ancient memories of a planet vibrant with life, a planet of strange tongues and unknown songs—a planet that had died so violently that space was yet strewn with its remains—so violently that somewhere the echo of its death explosion must yet ring in the far vaults of space.

Underwood had always thought of archeologists as befogged antiquarians poking among ancient graves and rubbish heaps, but now he knew them for what they were—poets in search of mysteries. The Bible-quoting of Phyfe and the swearing of red-headed Terry Bernard were merely thin disguises for their poetic romanticism.

Underwood watched the white fire of the Atom Stream through the lead glass of the eye-protecting lenses. "I talked to Illia today," he said. "She says I've run away."

"Haven't you?" Terry asked.

"I wouldn't call it that."

"It doesn't make much difference what you call it. I once lived in an apartment underneath a French horn player who practised eight hours a day. I ran away. If the whole mess back on Earth is like a bunch of horn blowers tootling above your apartment, I say move, and why make any fuss about it? I'd probably join the boys on Venus myself if my job didn't keep me out here. Of course it's different with you. There's Illia to be convinced—along with your own conscience."

"She quotes Dreyer. He's one of your ideals, isn't he?"

"No better semanticist ever lived," Terry said flatly. "He takes the long view, which is that 

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