Pictures Don't Lie
Nathen obviously had seen something he had not.

"Where are they?" the Times asked him quietly.

Nathen pointed to the antenna position indicators. The Times let his eyes follow the converging imaginary lines of focus out the window to the sunlit airfield, the empty airfield, the drying concrete and green waving grass where the lines met.

Where the lines met. The spaceship was there!

The fear of something unknown gripped him suddenly.

The spaceship was broadcasting again. "Where are you? Answer if possible! We are sinking! Where are you?"

He saw that Nathen knew. "What is it?" the Times asked hoarsely. "Are they in another dimension or the past or on another world or what?"

Nathen was smiling bitterly, and Jacob Luke remembered that the young man had a friend in that spaceship. "My guess is that they evolved on a high-gravity planet, with a thin atmosphere, near a blue-white star. Sure they see in the ultra-violet range. Our sun is abnormally small and dim and yellow. Our atmosphere is so thick, it screens out ultra-violet." He laughed harshly. "A good joke on us, the weird place we evolved in, the thing it did to us!"

"Where are you?" called the alien spaceship. "Hurry, please! We're sinking!"

The decoder slowed his tumbled, frightened words and looked up into the Times' face for understanding. "We'll rescue them," he said quietly. "You were right about the time factor, right about them moving at a different speed. I misunderstood. This business about squawk coding, speeding for better transmission to counteract beam waver—I was wrong."

"What do you mean?"

"They don't speed up their broadcasts."

"They don't—?"

Suddenly, in his mind's eye, the Times began to see again the play he had just seen—but the actors were moving at blurring speed, the words jerking out in a fluting, dizzying stream, thoughts and decisions passing with unfollowable rapidity, rippling faces in a twisting blur of expressions, doors slamming wildly, shatteringly, as the actors leaped in and out of rooms.

No—faster, faster—he wasn't visualizing it as rapidly as it was, an hour of talk and action in one almost instantaneous "squawk," 
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