Pictures Don't Lie
would indicate unusual strength for a human, but their wrists were narrow and their fingers long and thin and delicate.

There seemed to be more than the usual number of fingers.

Since he came in, a machine had been whirring and a voice muttering beside him. He called his attention from counting their fingers and looked around. Beside him sat an alert-looking man wearing earphones, watching and listening with hawklike concentration. Beside him was a tall streamlined box. From the screen came the sound of the alien language. The man abruptly flipped a switch on the box, muttered a word into a small hand-microphone and flipped the switch back with nervous rapidity.

He reminded the Times man of the earphoned interpreters at the UN. The machine was probably a vocal translator and the mutterer a linguist adding to its vocabulary. Near the screen were two other linguists taking notes.

The Times remembered the Senator pacing in the observatory room, rehearsing his speech of welcome. The speech would not be just the empty pompous gesture he had expected. It would be translated mechanically and understood by the aliens.

On the other side of the glowing window that was the stereo screen, the large protagonist in the green tunic was speaking to a pilot in a gray uniform. They stood in a brightly lit canary-yellow control room in a spaceship.

The Times tried to pick up the thread of the plot. Already he was interested in the fate of the hero, and liked him. That was the effect of good acting, probably, for part of the art of acting is to win affection from the audience, and this actor might be the matinee idol of whole solar systems.

Controlled tension, betraying itself by a jerk of the hands, a too-quick answer to a question. The uniformed one, not suspicious, turned his back, busying himself at some task involving a map lit with glowing red points, his motions sharing the same fluid dragging grace of the others, as if they were underwater, or on a slow motion film. The other was watching a switch, a switch set into a panel, moving closer to it, talking casually—background music coming and rising in thin chords of tension.

There was a closeup of the alien's face watching the switch, and the Times noted that his ears were symmetrically half-circles, almost perfect with no earholes visible. The voice of the uniformed one answered, a brief word in a preoccupied deep voice. His back was still 
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