Pictures Don't Lie
The Post, who was sitting just in front of him, turned to the Times and said, "Funny how much they look like people." He was writing, making notes to telephone his report. "What color hair did that character have?"

"I didn't notice." He wondered if he should remind the reporter that Nathen had said he assigned the color bands on guess, choosing the colors that gave the most plausible images. The guests, when they arrived, could turn out to be bright green with blue hair. Only the gradations of color in the picture were sure, only the similarities and contrasts, the relationship of one color to another.

From the screen came the sound of the alien language again. This race averaged deeper voices than human. He liked deep voices. Could he write that?

No, there was something wrong with that, too. How had Nathen established the right sound-track pitch? Was it a matter of taking the modulation as it came in, or some sort of hetrodyning up and down by trial and error? Probably.

It might be safer to assume that Nathen had simply preferred deep voices.

As he sat there, doubting, an uneasiness he had seen in Nathen came back to add to his own uncertainty, and he remembered just how close that uneasiness had come to something that looked like restrained fear.

"What I don't get is why he went to all the trouble of picking up TV shows instead of just contacting them," the News complained. "They're good shows, but what's the point?"

"Maybe so we'd get to learn their language too," said the Herald.

On the screen now was the obviously unstaged and genuine scene of a young alien working over a bank of apparatus. He turned and waved and opened his mouth in the comical O shape which the Times was beginning to recognize as their equivalent of a smile, then went back to trying to explain something about the equipment, in elaborate awkward gestures and carefully mouthed words.

The Times got up quietly, went out into the bright white stone corridor and walked back the way he had come, thoughtfully folding his stereo glasses and putting them away.

No one stopped him. Secrecy restrictions were ambiguous here. The reticence of the Army seemed more a matter of habit, mere reflex, from the fact that it had all originated in the Intelligence Department, than any reasoned policy of keeping the landing a secret.


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