one you already carried. I picked up my bag and followed him up the hill to the Foundation, where the Veld timelessly waited. It was dusk, and as I walked I turned my eyes up to the stars. One eye was larger than the other, and a different color. My nose sat askew on my lumpen face. Though Charpantier was a hunchback, and lacked a finger, still he was a handsome hunchback. But I, whom the Veld had made second, with Charpantier's example, was merely whole. And from my eyes, tears. We entered the Foundation. It had been erected around the Veld, when he first came and there were men who could question. Now the building was neat and kept up, but all its many rooms were empty, and all its many machines were still. Charpantier had his cottage on the West—a very learned man had used it, while working with the Veld—and I had mine on the East, where a military commander had kept his family. The Veld lived in the heart of the Foundation, in the odd-shaped room whose walls traced the configuration he had been forced to assume when his broken transporter had interrupted his journey between—where?—and the home he pined for. Men came from the town below the hill to care for the building, but Charpantier or I had to go fetch them. They no longer questioned. They distressed us with their constant need for commanding, and so every time they were finished with their work we commanded them homeward. No Earthly creature lived on the hill. The Veld was kindly, but an end comes to kindness. The time came when the questioning of men would have led them, if answered, irrevocably into Veldish ways. It was perhaps a kindness, too, that the Veld did what he did to questioning creatures. But however it may have been, now there were only men to be commanded. Charpantier commanded in the West, and I in the East, and the Veld, though he permitted us to question all men, and each other, commanded us. Charpantier and I did not often speak to each other while in the Foundation. We were too near the Veld, and insufficiently full of ourselves. But as we rode down the elevator, with its noise of metal sliding all alone in the world, Charpantier looked at me. And I knew what he looked. I have thought to myself that Charpantier says of everything: "Why is this thing not perfect?" while I say to myself: "Where is the perfection in this thing?" Surely my thought