was still as yellow as saffron, his contours had rounded,—he had even come into possession of a modest allowance of chin. But the most astounding novelty was that about the face there was something which was essentially feminine; so feminine, indeed, that I wondered if I could by any possibility have blundered, and mistaken a woman for a man; some ghoulish example of her sex, who had so yielded to her depraved instincts as to have become nothing but a ghastly reminiscence of womanhood. That The effect of the changes which had come about in his appearance—for, after all, I told myself that it was impossible that I could have been such a simpleton as to have been mistaken on such a question as gender—was heightened by the self-evident fact that, very recently, he had been engaged in some pitched battle; some hand to hand, and, probably, discreditable encounter, from which he had borne away uncomfortable proofs of his opponent’s prowess. His antagonist could hardly have been a chivalrous fighter, for his countenance was marked by a dozen different scratches which seemed to suggest that the weapons used had been someone’s finger-nails. It was, perhaps, because the heat of the battle was still in his veins that he was in such a state of excitement. He seemed to be almost overwhelmed by the strength of his own feelings. His eyes seemed literally to flame with fire. The muscles of his face were working as if they were wholly beyond his own control. When he spoke his accent was markedly foreign; the words rushed from his lips in an inarticulate torrent; he kept repeating the same thing over and over again in a fashion which was not a little suggestive of insanity. ‘So you’re not dead!—you’re not dead:—you’re alive!—you’re alive! Well,—how does it feel to be dead? I ask you!—Is it not good to be dead? To keep dead is better,—it is the best of all! To have made an end of all things, to cease to strive and to cease to weep, to cease to want and to cease to have, to cease to annoy and to cease to long, to no more care,—no!—not for anything, to put from you the curse of life,—forever!—is that not the best? Oh yes!—I tell you!—do I not know? But for you such knowledge is not yet. For you there is the return to life, the coming out of death,—you shall live on!—for me!—Live on!’ He made a movement with his hand, and, directly he did so, it happened as on the previous evening, that a metamorphosis took place in the very abysses of my being. I woke from my torpor, as he put it, I came out of death, and was alive again. I was far, yet, from being my own man; I realised that
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