laws; why weren't they around to enforce them? Mooney had his landmarks well in mind. There was the Drive, and there was the fork he was supposed to be looking for. It wouldn't be hard to find the path to the Vale. The only thing was, it was kind of important to Mooney's hope of future prosperity that he find a policeman first. And time was running out. He glanced at the luminous dial of his watch—self-winding, shockproof, non-magnetic; the man in the hotel's jewelry shop had assured him only yesterday that he could depend on its time-keeping as on the beating of his heart. It was nearly a quarter of one. "Come along, come along!" grumbled Harse. Mooney stalled: "I—I think we'd better go along this way. It ought to be down there—" He cursed himself. Why hadn't he gone in the main entrance, where there was sure to be a cop? Harse would never have known the difference. But there was the artist in him that wanted the thing done perfectly, and so he had held to the pretense of avoiding police, had skulked and hidden. And now— "Look!" he whispered, pointing. Harse spat soundlessly and turned his eyes where Mooney was pointing. Yes. Under a distant light, a moving figure, swinging a nightstick. Mooney took a deep breath and planted a hand between Harse's shoulder blades. "Run!" he yelled at the top of his voice, and shoved. He sounded so real, he almost convinced himself. "We'll have to split up—I'll meet you there. Now run!" VI Oh, clever Mooney! He crouched under a snowy tree, watching the man from the future speed effortlessly away ... in the wrong direction. The cop was hailing him; clever cop! All it had taken was a couple of full-throated yells and at once the cop had perceived that someone was in the park. But cleverer than any cop was Mooney. Men from the future. Why, thought Mooney contentedly, no Mrs. Meyerhauser of the suburbs would have let me get away with a trick like that to sell her a freezer. There's going to be no problem at all. I don't have to worry about a thing. Mooney can take care of himself!