Ann Veronica: A Modern Love Story
papers to table and presented himself as preoccupied with them. “It really seems as if we shall have to put down marigolds altogether next year,” Aunt Molly repeated three times, “and do away with marguerites. They seed beyond all reason.” Elizabeth, the parlormaid, kept coming in to hand vegetables whenever there seemed a chance of Ann Veronica asking for an interview. Directly dinner was over Mr. Stanley, having pretended to linger to smoke, fled suddenly up-stairs to petrography, and when Veronica tapped he answered through the locked door, “Go away, Vee! I’m busy,” and made a lapidary’s wheel buzz loudly.     

       Breakfast, too, was an impossible occasion. He read the Times with an unusually passionate intentness, and then declared suddenly for the earlier of the two trains he used.     

       “I’ll come to the station,” said Ann Veronica. “I may as well come up by this train.”      

       “I may have to run,” said her father, with an appeal to his watch.     

       “I’ll run, too,” she volunteered.     

       Instead of which they walked sharply....     

       “I say, daddy,” she began, and was suddenly short of breath.     

       “If it’s about that dance project,” he said, “it’s no good, Veronica. I’ve made up my mind.”      

       “You’ll make me look a fool before all my friends.”      

       “You shouldn’t have made an engagement until you’d consulted your aunt.”      

       “I thought I was old enough,” she gasped, between laughter and crying.     

       Her father’s step quickened to a trot. “I won’t have you quarrelling and crying in the Avenue,” he said. “Stop it!... If you’ve got anything to say, you must say it to your aunt—”      

       “But look here, daddy!”      

       He flapped the Times at her with an imperious gesture.     

       “It’s settled. You’re not to go. You’re NOT to go.”      

       “But it’s about other things.”      


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