immediately affected not to see Mr. Manning, Lady Palsworthy’s nephew, a tall young man of seven-and-thirty with a handsome, thoughtful, impassive face, a full black mustache, and a certain heavy luxuriousness of gesture. The party resolved itself for Ann Veronica into a game in which she manoeuvred unostentatiously and finally unsuccessfully to avoid talking alone with this gentleman.     

       Mr. Manning had shown on previous occasions that he found Ann Veronica interesting and that he wished to interest her. He was a civil servant of some standing, and after a previous conversation upon aesthetics of a sententious, nebulous, and sympathetic character, he had sent her a small volume, which he described as the fruits of his leisure and which was as a matter of fact rather carefully finished verse. It dealt with fine aspects of Mr. Manning’s feelings, and as Ann Veronica’s mind was still largely engaged with fundamentals and found no pleasure in metrical forms, she had not as yet cut its pages. So that as she saw him she remarked to herself very faintly but definitely, “Oh, golly!” and set up a campaign of avoidance that Mr. Manning at last broke down by coming directly at her as she talked with the vicar’s aunt about some of the details of the alleged smell of the new church lamps. He did not so much cut into this conversation as loom over it, for he was a tall, if rather studiously stooping, man.     

       The face that looked down upon Ann Veronica was full of amiable intention.       “Splendid you are looking to-day, Miss Stanley,” he said. “How well and jolly you must be feeling.”      

       He beamed over the effect of this and shook hands with effusion, and Lady Palsworthy suddenly appeared as his confederate and disentangled the vicar’s aunt.     

       “I love this warm end of summer more than words can tell,” he said. “I’ve tried to make words tell it. It’s no good. Mild, you know, and boon. You want music.”      

       Ann Veronica agreed, and tried to make the manner of her assent cover a possible knowledge of a probable poem.     

       “Splendid it must be to be a composer. Glorious! The Pastoral. Beethoven; he’s the best of them. Don’t you think? Tum, tay, tum, tay.”      

       Ann Veronica did.     

       

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