curiosity regarding who they were and how long it had been since they had lived and played their parts in the history of the Feredas.

Undoubtedly they were all Feredas. Of unmistakably Spanish cast of countenance, they[62] bore a decided family resemblance to one another. The difference in the style of dress worn by the pictured folk proclaimed them to be of many generations. How far removed from the present day, she did not know. She was of the opinion that some of them must have lived at least two hundred years ago. She was very sure that one portrait, that of a man, must have been painted even earlier than that.

[62]

It was this portrait in particular which most fascinated her. Hung in the center of the section and framed in tarnished gilt, it depicted the full length figure of a Spanish cavalier. Patsy thought he might easily have been one of the intrepid, Latin adventurers who accompanied Ponce de Leon on his unsuccessful quest into Florida for the fabled Fountain of Youth.

As a gallant of long ago, the man in the picture instantly arrested her attention. The thin, sinister face above the high Spanish ruff repelled her, however. The bright, bird-like eyes, the long, aquiline nose and the narrow lips, touched with a mocking smile, combined to make a countenance of such intense cruelty as filled her with a curious sense of terror. It was as if the sharp, black eyes followed her, as she moved along from picture to picture. There was a peculiar, life-like quality[63] about the painting which gave her the uncomfortable feeling that the sinister cavalier might step down from the canvas at any moment.

[63]

Nevertheless she could not refrain from stopping to look at him every time she passed through the corridor. She was convinced that he must have been the first Fereda who landed in the New World and that he had a record which might well match his malevolently smiling face. It piqued her not a little to reflect, that, who he was and what he had been would in all probability ever remain a mystery to her.

Strolling into the corridor that morning to study again the provoking object of her curiosity, Patsy wondered how the granddaughter of old Manuel de Fereda could ever have been content to turn over the contents of Las Golondrinas to strangers. She wondered what had become of her. She was undoubtedly the only one who knew the identity of the painted cavalier. Patsy decided that she would ask her father to write Mr. Haynes, the agent, from whom 

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