Melmoth the Wanderer, Vol. 4
saw them on the evening of that day of union, and a painter, who wished to embody the image of domestic felicity in a group of living figures, need have gone no further than the mansion of Walberg. He and his wife were seated at the head of the table, smiling on their children, and seeing them smile in return, without the intervention of one anxious thought,—one present harassing of petty difficulty, or heavy presage of future mischance,—one fear of the morrow, or aching remembrance of the past. Their children formed indeed a groupe on which the eye of painter or of parent, the gaze of taste or of affection, might have hung with equal delight. Everhard their eldest son, now sixteen, possessed too much beauty for his sex, and his delicate and brilliant complexion, his slender and exquisitely moulded form, and the modulation of his tender and tremulous voice, inspired that mingled interest, with which we watch, in youth, over the strife of present debility with the promise of future strength, and infused into his parent’s hearts that fond anxiety with which we mark the progress of a mild but cloudy morning in spring, rejoicing in the mild and balmy glories of its dawn, but fearing lest clouds may overshade them before noon. The daughters, Ines and Julia, had all the loveliness of their colder climate—the luxuriant ringlets of golden hair, the large bright blue eyes, the snow-like whiteness of their bosoms, and slender arms, and the rose-leaf tint and peachiness of their delicate cheeks, made them, as they attended their parents with graceful and fond officiousness, resemble two young Hebes ministering cups, which their touch alone was enough to turn into nectar.

“The spirits of these young persons had been early depressed by the difficulties in which their parents were involved; and even in childhood they had acquired the timid tread, the whispered tone, the anxious and inquiring look, that the constant sense of domestic distress painfully teaches even to children, and which it is the most exquisite pain to a parent to witness. But now there was nothing to restrain their young hearts,—that stranger, a smile, fled back rejoicing to the lovely home of their lips,—and the timidity of their former habits only lent a grateful shade to the brilliant exuberance of youthful happiness. Just opposite this picture, whose hues were so bright, and whose shades were so tender, were seated the figures of the aged grandfather and grandmother. The contrast was very strong; there was no connecting link, no graduated medium,—you passed at once from the first and fairest flowers of spring, to the withered and rootless barrenness of winter.

“These very aged persons, 
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