Melmoth the Wanderer, Vol. 4
curtains of her bed were thrown open, and the figure of a child covered with blood, stained in breast, arms, and legs, appeared before her, and cried,—“It is Everhard’s blood—he is bleeding to death,—I am covered with his blood!—Mother—mother—rise and save Everhard’s life!” The object, the voice, the words, seemed to Ines like the imagery of some terrible dream, such as had lately often visited her sleep, till the tones of Maurice, her youngest, and (in her heart) her favourite child, made her spring from the bed, and hurry after the little blood-spotted figure that paddled before her on its naked feet, till she reached the adjoining room where Everhard lay. Amid all her anguish and fear, she trod as lightly as Maurice, lest she should awake Walberg.

“The moon-light fell strongly through the unshuttered windows on the wretched closet that just contained the bed. Its furniture was sufficiently scanty, and in his spasms Everhard had thrown off the sheet. So he lay, as Ines approached his bed, in a kind of corse-like beauty, to which the light of the moon gave an effect that would have rendered the figure worthy the pencil of a Murillo, a Rosa, or any of those painters, who, inspired by the genius of suffering, delight in representing the most exquisite of human forms in the extremity of human agony. A St Bartholomew flayed, with his skin hanging about him in graceful drapery—a St Laurence, broiled on a gridiron, and exhibiting his finely-formed anatomy on its bars, while naked slaves are blowing the coals beneath it,—even these were inferior to the form half-veiled,—half-disclosed by the moon-light as it lay. The snow-white limbs of Everhard were extended as if for the inspection of a sculptor, and moveless, as if they were indeed what they resembled, in hue and symmetry, those of a marble statue. His arms were tossed above his head, and the blood was trickling fast from the opened veins of both,—his bright and curled hair was clotted with the red stream that flowed from his arms,—his lips were blue, and a faint and fainter moan issued from them as his mother hung over him. This sight banished in a moment all other fears and feelings, and Ines shrieked aloud to her husband for assistance. Walberg, staggering from his sleep, entered the room,—the object before him was enough. Ines had only strength left to point to it. The wretched father rushed out in quest of medical aid, which he was obliged to solicit gratuitously, and in bad Spanish, while his accents betrayed him at every door he knocked at,—and closed them against him as a foreigner and a heretic. At length a barber-surgeon (for the professions were united in Seville) consented, with many a yawn, to attend him, and came duly armed with lint and 
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