The Stillwater Tragedy
The same doubt or irresolution which had checked the workman at the threshold seemed again to have taken possession of him. It was fully a moment before he gained the mastery over himself; but the mastery was complete; for he leaned forward gravely, almost coldly, and pronounced two words. A quick pallor overspread Mr. Slocum's features.

"Good God!" he exclaimed, sinking back into the chair. "Are you mad?"

V

The humblest painter of real life, if he could have his desire, would select a picturesque background for his figures; but events have an inexorable fashion for choosing their own landscape. In the present instance it is reluctantly conceded that there are few uglier or more commonplace towns in New England than Stillwater,--a straggling, overgrown village, with whose rural aspects are curiously blended something of the grimness and squalor of certain shabby city neighborhoods. Being of comparatively recent date, the place has none of those colonial associations which, like sprigs of lavender in an old chest of drawers, are a saving grace to other quite as dreary nooks and corners.

Here and there at what is termed the West End is a neat brick mansion with garden attached, where nature asserts herself in dahlias and china-asters; but the houses are mostly frame houses that have taken a prevailing dingy tint from the breath of the tall chimneys which dominate the village. The sidewalks in the more aristocratic quarter are covered with a thin, elastic paste of asphalt, worn down to the gravel in patches, and emitting in the heat of the day an astringent, bituminous odor. The population is chiefly of the rougher sort, such as breeds in the shadow of foundries and factories, and if the Protestant pastor and the fatherly Catholic priest, whose respective lots are cast there, have sometimes the sense of being missionaries dropped in the midst of a purely savage community, the delusion is not wholly unreasonable.

The irregular heaps of scoria that have accumulated in the vicinity of the iron works give the place an illusive air of antiquity; bit it is neither ancient nor picturesque. The oldest and most pictorial thing in Stillwater is probably the marble yard, around three sides of which the village may be said to have sprouted up rankly, bearing here and there an industrial blossom in the shape of an iron-mill or a cardigan-jacket manufactory. Rowland Slocum, a man of considerable refinement, great kindness of heart, and no force, inherited the yard from his father, and at the period this narrative opens (the 
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