upon her pile and Braun saw her fragile figure stoop to raise the pile. Then his machine would stop, in two strides he would be at her side, and with a smile he would carry the garments to the counter for her and bring her the ticket for them. Lizschen would cease working to watch him, and when he handed her the ticket she would smile at him, and sometimes, when no one was looking, she would seize his hand and press it tightly against her cheek—oh! so tightly, as if she were drowning, and that hand were a rock of safety. And, when she resumed her work, a tear would roll slowly over the very spot where his hand had rested, tremble for an instant upon her pale cheek, and then fall upon the garment where the needle would sew it 5firmly into the seam. But you never would have known that two machines had stopped for a moment; there were twenty-eight others to keep up the roaring and the rattling and the hum. 4 5 On and on they roared. There was no other sound to conflict with or to vary the monotony. At each machine sat a human being working with hand, foot, and eye, watching the flashing needle, guarding the margin of the seams, jerking the cloth hither and thither quickly, accurately, watching the spool to see that the thread ran freely, oiling the gear with one hand while the other continued to push the garment rapidly under the needle, the whole body swaying, bending, twisting this way and that to keep time and pace with the work. Every muscle of the body toiled, but the mind was free—free as a bird to fly from that suffocating room out to green fields and woods and flowers. And Braun was thinking. Linder had told him of a wonderful place where beautiful pictures could be looked at for nothing. It was probably untrue. Linder was not above lying. Braun had been in this country six long years, and in all that time he had never found anything 6that could be had for nothing. Yet Linder said he had seen them. Paintings in massive gold frames, real, solid gold, and such paintings! Woodland scenes and oceans and ships and cattle and mountains, and beautiful ladies—such pictures as the theatrical posters and the lithograph advertisements on the streets displayed, only these were real. And it cost nothing to look at them! 6 Nineteen—twenty! That completed the pile. It had taken about an hour, and he had earned seven cents. He carried the pile to the counter, received his ticket, and returned to his machine, stopping only to smile at Lizschen, who had finished but half a pile in