The Clock and the Key
“And have you your information as well as your abundant faith, St. Hilary?” I inquired with mock solicitude.

At this idle question, his heavily lidded eyes opened wide. The pupils dilated. A challenge flashed from their blue depths. I stared at him. 24But almost immediately the heavy lids drooped again.

24

“All this is extremely interesting, Mr. St. Hilary,” said Jacqueline. “But is it not rather wide from our Venetian palace? Why do we wait?”

“Simply, my dear young lady, because the owner happens to be of a religious turn of mind; and at this moment, I believe, is confessing his sins in San Marco’s yonder.”

“Who is the owner of the palace?” inquired Mrs. Gordon. “And why does he wish to sell its contents?”

“The owner is a duke, the Duca da Sestos, and he wishes to sell because he is as impecunious as the rest of his tribe.”

“A duke!” cried Mrs. Gordon. “How interesting! And what kind of a duke is this gentleman?”

“Of the very flower of the Italian nobility. He is a prince of good fellows, a dashing cavalier, handsome as a young god, and twenty-six.”

“How very interesting,” repeated Mrs. Gordon, and looked at Jacqueline.

The look troubled me. Jacqueline herself seemed annoyed at it. She turned to St. Hilary.

“And have you any other treasures up your sleeve, Mr. St. Hilary?”

25“My dear young lady, shall I give you an inventory of one collection I know about? I promise to make all your mouths water.

25

“To begin with, there is a balas-ruby, known as El Spigo, or the ear of corn. In the fifteenth century it was valued at the enormous sum of two hundred and fifty thousand ducats. Then there is the jewel, El Lupo, the wolf. It is one large diamond and three pearls. These two stones would take the eye of the vulgar. But imagine a beryl, twice as big as your thumb-nail, and on it the portrait of the pope, Clement VII, carved by none other than the great Cellini.”

“I will buy it at any price,” cried Jacqueline.

“Then,” continued St. Hilary, touching 
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