A Creature of the Night: An Italian Enigma
the savage North. The memories of witches rifling the dead for their unholy needs, of wizards holding orgies in lonely churchyards, of magicians evoking the silent tenants of the grave by powerful spells, and of demons entering the bodies of the newly dead in order to roam the midnight world--all these gruesome ideas surged in my brain like the delirium of fever.My fear had passed away. I felt intensely curious to know the errand upon which this woman was bent, and, with all my faculties sharpened by danger, I sped swiftly after this flying spectre, which, looking neither to right nor left, glided rapidly onward towards the sleeping city of Verona.

CHAPTER II.

A BOCCACCIAN ADVENTURE.

Italian towns are very perplexing to strangers. Keep to the principal thoroughfares built in modern days, and you may have a reasonable hope of finding your way about; but once get enmeshed in the crooked, narrow, winding streets of the period of the middle ages and you are lost. The Italians, like Nature, delight in curves, and these narrow alleys, with cobble-stone pavements and no side-walks, dignified by the name of streets, twist in and out, and here and there, between forbidding houses, seven or eight stories in height, under heavy archways, which threaten to fall and crush the unwary stranger, and down steep flights of worn steps, until you become quite bewildered by the labyrinthian windings. Then these houses are built high in order to exclude the burning sun from the alleys, and a cold, humid feeling pervades the entire network of streets; so that what with the gloom, the twistings, and the treacherous pitfalls in dark corners, one feels like Orpheus going down to Hades in search of lost Eurydice.

Having been warned of the difficulty of exploring these unknown depths, I had mostly confined my wanderings to the broad, modern streets and the populous piazzas; therefore as long as my spectre guide kept to the Via Pallone, which begins at the Ponte Aleardi and ends at the Piazza Vittoria Emanuele, I felt quite safe. When, however, after leaving the Piazza she plunged into the narrow streets of the medieval period, I hesitated at first to follow her. I did not know my way, I was a stranger, and unarmed; moreover, I knew not into what unknown dangers I might be led by this mysterious woman who had emerged from the graveyard.

Curiosity, however, prevailed over fear, and as at any moment I might lose sight of her, and thereby never discover if she were of this or the other world, I followed her boldly into the intense gloom into which 
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