Answering his bow with a kind word, she turned quickly out of the hall, into a parlour full of sunshine. A lady sat there hemstitching a damask napkin; a lady of dainty plainness, with a face full of graven experiences and mellowed character. Purity was the first, and the last, impression she gave. And when her eyes were dropped this idea was emphasized by their beautiful lids; for nowhere is the flesh so divine as in the eyelids. And Ava Moran’s eyelids were full of holy secrets; they gave the impression of a spiritual background which was not seen, but which could be felt. As Cornelia entered she looked up with a smile, and said, as she slightly raised her work, “it is the last of the dozen, Cornelia.”
“You make me ashamed of my idleness, mother. Have I been a long time away?”
“Longer than was unnecessary, I think.”
“I went to Embree’s for the linen thread, and he had just opened some English gauzes and lute-strings. Mrs. Willets was choosing a piece for a new gown, for she is to dine with the President next week, and she was so polite as to ask my opinion about the goods. Afterwards, I walked to Wall Street with her; and coming back I met, on Broadway, Lieutenant Hyde—and he gave me these flowers—they came from Prince’s nursery gardens—and, then, he walked home with me. Was it wrong? I mean was it polite—I mean the proper thing to permit? I knew not how to prevent it.”
“How often have you met Lieutenant Hyde?”
“I met him for the first time last night. He was at the Sylvesters’, and I danced three times with him.”
“That was too often.”
“He talked with father, and father did not oppose my dancing.”
“Your father thinks of nothing, now, but the Capital question. I dare say, after he had asked Lieutenant Hyde how he felt on that subject he never thought of the young man again. And pray what did Lieutenant Hyde say to you this afternoon?”
“He gave me the flowers, and he told me about a beautiful opera, of which I have never before heard. It is called Figaro. He says, in Europe, nothing is played, or sung, or whistled, but—Figaro; that nobody goes to any opera but—Figaro; and
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