is not like that portrait," said Geoffrey, turning away. "Well, I'm for the bath." "After you. Turn on the hot water when you're out, Geoff." Harry did not immediately sit down again when his friend left him, but continued for a little while to look at the second baron, trying to see in it what Geoffrey had seen, what he himself had always failed to see. He moved from where he stood to where Geoffrey had been standing, still looking at it, when suddenly, no doubt by some curious play of light on the canvas, there flitted across the face for a moment some expression indefinably sinister. It was there but for a flash, and vanished again, and by no change in his point of view could he recapture it. Soon he gave up the attempt, and, with only an idle and fleeting wonder at the illusion, he sat down, took up a book and yawned over a page that conveyed nothing to him. Then frankly and honestly he shut it up, and lay comfortably back in his chair, looking at the fire. He must even have dropped into a doze, for, apparently without transition, in the strange unformulated fashion of dreams, he thought that his uncle had come, dressed (and[Pg 12] this did not seem remarkable) in the fashion of the Holbein portrait, and having greeted him with his well-remembered, hearty manner, had sat down in the other of the two arm-chairs; and, though unconscious of having gone to sleep, he certainly came to himself with a start, to find the chair opposite untenanted, and the sound of his own name ringing in his ears. Immediately afterward it was repeated, and, looking up to the gallery that ran across one side of the hall and communicated with certain of the bedrooms, he saw Geoffrey leaning over in his dressing-gown. [Pg 12] "Bath's ready," he said; "and the portrait is looking at you." "Thanks. I've been to sleep, I think. Did you call me more than once, Geoff?" "No; the other time it was the second baron." Harry was still a little startled. "You really only called once?" he asked again. "Yes; only once. Why?"
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