Judith Moore; or, Fashioning a Pipe
heard—note after note of purest melody, flung forth unsyllabled, full-throated to the air, inarticulate but eloquent. Again and again it came, liquid, rich, and with that pathos which perfection always touches. 

 At first he could not fix the direction from whence it came. It was as if the heavens above had opened and showered down music upon his heart as he had flung forth the seed upon the earth: and indeed there were two sowings that morning and from each harvests were garnered—first the bloom and then the fruit thereof. But as he listened longer he knew it issued from the wood before him. At the first note some impulse made him snatch off his old felt hat, and he stood there, bareheaded in the sunshine, as one might stand to whom had come the pang of inspiration. 

 The singer was voicing no composition, only uttering isolated notes, or short crescendos, terminating in notes of exquisite beauty, but leaving a sense of incompleteness that was so intense us to be almost a physical pain to him—only forgotten when the next utterance robbed him of retrospect and filled him with hope. Any one who has heard a perfect singer practising, knows the sensation. In such fashion the unseen sirens sang, and men willingly risked death to touch the lips that had been parted by such melodious breath. 

 Andrew still stood, and at last silence fell—a silence he hardly comprehended at first, so filled was it with the dream of sound that had passed, so instinct with expectation: but it forced itself upon him, and then suddenly round him there sounded all the commonplace noises of life—the croaking of a tree toad, the buzzing of a chance fly, the far-off shouting of men, and the sounds of birds—all that had been deadened to his ear by the magic of that voice. 

 A voice—then whence? 

 In two strides he was over the ploughed ground and in the woods. He searched through and through it in vain. He looked from its borders at his own far-off farm-house among its trees, at the gables of the village of Ovid clustering together, at the tin on the Baptist Church spire glistening in the midst, at the long low Morris homestead that nestled in a little hollow beyond his wood: but all was as usual, nothing new, nothing strange. No angel's glistening wing was to be seen anywhere. 

 Andrew's grain was spent, but the clearing was not yet all sown. So he went home leaving his task unfinished. From one thing to another was the rule of his busy life. He gave a cheery word or two to his aunt, 
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