late years he had fallen upon evil times, and gone steadily down hill. Now he had only a strip of barren acres heavily mortgaged. He married late in life the daughter of a country doctor. They had one child, a girl, whose mother died when she was four years old. Sam christened his daughter Susanna Matilda. In the days of his youth—oh, the halcyon time—these two names had been the names of the hour. The Mabels, Lilys and Rubys of to-day were yet unborn. Susanna Waring had been the belle of the county, and her lovers were willing to stake their honour upon her pre-eminence. Matilda Buchanan had been called "The Rose of Canada," and when the Consul, her father, returned to England, she footed it bravely at the Court of St. James. She married a nobleman there. They were long dead, these two beauties. Matilda Buchanan had left all her pomp, and Susanna Waring had passed away from all her unhappiness, for she married an officer who treated her brutally. Well, well, old Sam Symmons, gallant Sam Symmons then, had danced with both of them, had kissed Miss Waring's hand in a minuet, and knocked a man down for saying Matilda Buchanan rouged. She did—they all did in those days—but it was not for the profane lips of man to say so. Thus Sam christened his daughter Susanna Matilda, and felt he had done his duty by her. After his wife's death, her cousin, a good enough woman in a negative sort of way, kept house for him, and brought up the little girl. When Susanna was eighteen, this woman died; so Sam and his daughter were left alone. As has been said, quite a crowd was gathered in old Sam's kitchen that night in the last week of May. There was Sam himself, Jack Mackinnon (a neighbour's hired man and the most noted liar in Ovid), Hiram Green, Oscar Randall, and Susanna. It may be said here that throughout Ovid and its environs Susanna's proper name was a dead letter. She was "Sam Symmons' Suse" to all and sundry. The Ovidian mind was not prone to poetry: still, this alliterative name seemed to have charms for it, and perhaps the poetical element in Ovid only required developing: and it may be that the sibilant triune name found favour because it chimed to some dormant vein of poesy, unsuspected even by its possessors. The occasion calling forth the conclave in Symmons' kitchen was simply that his old mare was