The Happy Clown
be kindly questioned, to be thoroughly examined, to be tenderly given the shot in the arm and to awake like her, but nobody came. Denise had apparently said nothing about him. Some censor or other—perhaps it was the censor of love—had kept her from even saying his name.

For a while Steven considered confessing to somebody that he was a—what?—an unacceptable member of society. Then they would make him like Denise. He shuddered. Did he really want to be like Denise? Some stubborn pride in him refused it.

When Denise left the hospital for the hotel where she would stay until the wedding, Steven was more gentle with her than ever, kinder and more loving. He made her very happy. He made love to her again, and it was like loving a ghost—no, it was like loving a fine beautiful body without the ghost, without the spirit. He returned to the HYM to lie sleepless amid the breathings and mutterings of the other young men, turning restlessly in his bed, feeling oppressed, tormented, strung on wires.

He rehearsed feverishly for the part of the Happy Clown, and because he was a fine craftsman and a conscientious artist he continued to give it all he had. The sponsors were pleased. A week before Christmas the current Happy Clown retired and hobbled off to a nursing home. There was no fanfare—the public was not to realize that the Happy Clown was mortal—and Steven took over with no visible change. For five days he played the part to perfection.

On the sixth day he performed as usual, perhaps a little better. His commercials had a special fervor, and the sponsors exchanged happy glances. Denise was sitting in the booth with them; she smiled at Steven lovingly through the glass.

Steven was running a little fast tonight. The engineer made stretching motions with his hands to slow him down, but he used up all his material, even the nugget, with three minutes to spare. Then he said, "All right, folks, now I have a special treat for you," and moved quickly to the center mike. Before the sponsors, or the engineers, or the studio audience, or anybody in the whole American nation knew what was happening, he began rapidly to talk.

He said, "Are you all happy? You are, aren't you?—everybody's happy, because you're all sheep! All sheep, in a nice safe pasture. All alike—you eat alike and dress alike and think alike. If any of you has an original thought you'd better suppress it, or they'll cut it out of you with a knife." He leaned forward and made a horrible face at the camera. Under the jolly 
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