The Love-Story of Aliette Brunton
modern standards of "distinction." Yeomen by original birth, yeomen at heart they have remained; content, in an age of ostentation, to serve their country quietly, and retire--at the end of service--into the lush obscurity of the Devon countryside, there maintaining modest state and modest revenues until such time as a Church of England God is pleased to summon them elsewhere.

Aliette's father, Andrew, born in the very early sixties, followed the Fullerford tradition of service, and became puisne judge of an obscure colonial law-court before retiring. His marriage, at the age of twenty-four, to Marie Sheldon, caused--owing to Marie's abandonment of the rigid Sheldon Catholicism for the scarcely less rigid Protestantism of the Fullerfords--no small sensation.

This marriage, founded on a self-sacrifice of which only Aliette's mother knew the full burden, yielded two sons, both of whom give their lives for their country early in 1915, and three daughters: Eva, eldest of the family, who married Captain Harold Martin of the Devonshire Regiment in 1910, and became "colonel's lady"--a position she filled most admirably; Aliette; and Mollie, youngest of the five.

It was not until her second daughter's birth in 1892 that the Sheldons fully pardoned Marie Fullerford's infidelity to their religion--Aliette, named after a remote French ancestress, becoming as it were the symbol of family reunion, and inheriting, on the death of Grandmama Sheldon, a little block of consolidated stock in further token of forgiveness. Shortly after which inheritance, in December, 1912, she married--for reasons which will be apparent in our story--Hector Brunton, barrister of the Middle Temple, and no small gun in the legal world; while Mollie, then a long-legged flapper of tomboy proclivities, reluctantly returned from Wycombe Abbey School to "assist mother in looking after things."

Mollie "looked after things" until the boys were killed. Then she joined the nursing service. To that service her body still bears witness in the shape of three white scars--souvenirs of a bombed hospital.

Although, socially speaking, there is little if any difference between the Fullerfords and the Bruntons, the latter family shine considerably the more effulgent in the public eye. One finds them in newspaper paragraphs; one sees them at court, at the opera, at the Ritz. In fact, wheresoever the ostentatious world of the nineteen-twenties foregathers, the Bruntons forgather with it; not because they themselves are ostentatious, but because, being of their period, 
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