The Love-Story of Aliette Brunton
Already they were singing the last hymn. This man, this man beside her was called Cavendish. Ronald Cavendish! She could see his eyes, now dropped to the hymn-book, now raised again. She could see his ungloved hands on the pew-rail. She could hear his voice.

And abruptly, panic passed; abruptly, she felt the very spirit of her a-thrill, a-thrill as though to fine music.

Hector Brunton's wife and Julia Cavendish's son said good-by to each other in the cottage-twinkling darkness at the foot of Key Hatch hill, shaking hands coolly, impersonally--merest acquaintances. Indeed, Aliette's "Good night, Mr. Cavendish" sounded a hundred times less cordial than Mollie's "I hope we shall meet again, Mr. Wilberforce."

And yet forty-eight hours later Aliette bolted. She bolted, neither with Cavendish nor from Cavendish. She merely bolted to Devonshire. To herself she succeeded in pretending that she was running away from Hector, from the inevitable recurrence of his amorousness; to Hector, that--hunting being almost over--Mollie's return to Clyst Fullerford furnished an excellent opportunity for her to pay the annual visit to her home. Hector grumbled, but gave in; and the two sisters traveled back together, Mollie chattering all the way down, Aliette silently speculating whether "home" would cure the mental and spiritual unease of which she now felt acutely conscious.

But the unease persisted. Either "home" had changed its attitude toward her, or else she had changed her attitude toward "home." The little wayside station with its one porter and its six milk-cans, the up-hill drive in the twilight, the first sight of the pilastered lodge, meant less than ever before. Her heart did not warm to anticipation at thought of the lit drawing-room, of her mother's hair white in the lamp-glow. Even when her father welcomed her in the antlered hall, she felt like a visitor. They seemed to her so old, so settled, so remote from the actuality of life, these two: Andrew (Aliette was of that age when children think of parents by their Christian names) with his veined hands, his tired eyes and patient mouth, his slow voice and stooping shoulders; Marie, thin, pleasantly querulous, all traces of beauty save the eyes, wallflower-brown as her daughter's own, dead in the lined face. The very house, long and low, browned by time, its mullioned windows dim with staring down the vale, seemed uncaring of her presence. Even her own room, the room always kept for Aliette, the white furniture bought for Aliette when she came back from boarding-school in France, could not give her the peace she 
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