The Hollow of Her Hand
       "Ah, I had ample time to think of all that. You may tell the officers they will find everything hidden in that farmhouse cellar. God knows I did not want them. I am not a thief. I'm not so bad as that."     

       Mrs. Wrandall marvelled. "Not so bad as that!" And she was a murderess, a wanton!     

       "You are hungry? You must be famished."     

       "No, I am not hungry. I have not thought of food." She said it in such a way that the other knew what her whole mind had been given over to since the night before.     

       A fresh impulse seized her. "You shall have food and a place where you can sleep—and rest," she said. "Now please don't say anything more. I do not want to know too much. The least you say to-night, the better for—for both of us."     

       With that she devoted all of her attention to the car, increasing the speed considerably. Far ahead she could see twinkling, will-o'-the-wisp lights, the first signs of thickly populated districts. They were still eight or ten miles from the outskirts of the city and the way was arduous. She was conscious of a sudden feeling of fatigue. The chill of the night seemed to have made itself felt with abrupt, almost stupefying force. She wondered if she could keep her strength, her courage,—her nerves.     

       The girl was English. Mrs. Wrandall was convinced of the fact almost immediately. Unmistakably English and apparently of the cultivated type. In fact, the peculiarities of speech that determines the London show-girl or music-hall character were wholly lacking. Her voice, her manner, even under such trying conditions, were characteristic of the English woman of cultivation. Despite the dreadful strain under which she laboured, there were evidences of that curious serenity which marks the English woman of the better classes: an inborn composure, a calm orderliness of the emotions. Mrs. Wrandall was conscious of a sense of surprise, of a wonder that increased as her thoughts resolved themselves into something less chaotic than they were at the time of contact with this visible condition.     

       For a mile or more, she sent the car along with reckless disregard for comfort or safety. Her mind was groping for something tangible in the way of intentions. What was she to do with this 
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