him that both sides prayed. The Director was drinking a highball in his office and working out the details of tomorrow's shooting with his cameramen. "We'll give that Greek Diomedes a real break, make him the big hero. Get a lot of close-ups. He has a superb profile and a sort of flair about him. It's all in the Script, what aristocrats he kills, how many narrow escapes, and so on. But about noon, just before lunch, we'll wound him. Not too badly, just enough to put him out of action. Then we'll see if we can whip up a big tearjerker between that Trojan and his wife—what's her name?" He looked around as if he expected them to feed him the answer. But they were silent; it was not wise to know more than he. He snapped his fingers. "Andromache! That's it!" "What a memory! How do you keep all those barbaric names at your tongue's tip? Photographic!" and so on from the suckophants. "O.K. So after Diomedes leaves the scene, you, Apollo, will put on a simulacrum of Helenos, the Trojan prophet. As Helenos, you'll induce Hector to go back to Troy and get his mother, the Queen, to pray for victory. We can get some colorful shots of the temple and the local religious rites. Meantime, we'll set up a touching domestic scene between Hector and his wife. Bring in their baby boy. A baby's always good for ohs and ahs. Later, after coffee break, we'll...." Apollo drifted through the crowd toward the Director's wife. She was sitting on a chair and moodily drinking. However, seeing Apollo, she smiled with green-painted lips and said, "Do sit down, darling. You needn't worry about my husband being angry because you're paying attention to me. He's too busy shining down on his little satellites to notice you." Apollo seated himself in a chair facing her and moved forward so their knees touched. "What do you want now?" she said. "You only get lovey-dovey when you're trying to get something out of me." "You know I love only you, Hera," he said, grinning. "But I can't meet you as often as I'd like. Old Thunder-and-Lightning is too suspicious. And I value my job too much to risk it, despite my overwhelming passion for you." "Get to the point." "We're way over our budget and past our deadline. The shooting should have been finished six months