The Girls From Fieu Dayol By ROBERT F. YOUNG They were lovely and quick to learn—and their only faults were little ones! [Transcriber's Note: This etext was produced from Worlds of If Science Fiction, September 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Up until the moment when he first looked into Hippolyte Adolphe Taine's History of English Literature, Herbert Quidley's penchant for old books had netted him nothing in the way of romance and intrigue. Not that he was a stranger to either. Far from it. But hitherto the background for both had been bedrooms and bars, not libraries. On page 21 of the Taine tome he happened upon a sheet of yellow copy paper folded in four. Unfolding it, he read: asdf ;lkj asdf ;lkj asdf ;lkj asdf ;lkj asdf ;lkj asdf ;lkj Cai: Sities towms copeis wotnid. Gind snoll doper nckli! Wilbe Fieu Dayol fot ig habe mot toseo knwo—te bijk weil en snoll doper—Klio, asdf ;lkj asdf ;lkj asdf ;lkj asdf ;lkj Since when, Quidley wondered, refolding the paper and putting it back in the book, had high-school typing students taken to reading Taine? Thoughtfully he replaced the book on the shelf and moved deeper into the literature section. He had just taken down Xenophon's Anabasis when he saw the girl walk in the door. Let it be said forthwith that old books were not the only item on Herbert Quidley's penchant-list. He liked old wood, too, and old paintings, not to mention old wine and old whiskey. But most of all he liked young girls. He especially liked them when they looked the way Helen of Troy must have looked when Paris took one gander at her and started building his ladder. This one was tall, with hyacinth hair and liquid blue eyes, and she had a Grecian symmetry of shape that would have made Paris' eyes pop had he been around to take notice. Paris wasn't, but Quidley's eyes, did the job. After coming in the door, the girl deposited a book on the librarian's desk and headed for the literature section. Quickly Quidley lowered his eyes to the Anabasis and henceforth followed her progress out of their corners. When she came to the O's she paused, took down a book and glanced through it. Then she replaced it and moved on to the P's ... the Q's ... the R's. Barely three feet from him she