The Old Maid (The 'Fifties)
{83}

{84} 

{84}

{85} 

{85}

PART II

VI

YOU could always have told, every one agreed afterward, that Charlotte Lovell was meant to be an old maid. Even before her illness it had been manifest: there was something prim about her in spite of her fiery hair. Lucky enough for her, poor girl, considering her wretched health in her youth: Mrs. James Ralston’s contemporaries, for instance, remembered Charlotte as a mere ghost, coughing her lungs out—that, of course, had been the reason for her breaking her engagement with Joe Ralston.

Y

True, she had recovered very rapidly, in spite of the peculiar treatment she was given. The Lovells, as every one knew,{86} couldn’t afford to send her to Italy; the previous experiment in Georgia had been unsuccessful; and so she was packed off to a farm-house on the Hudson—a little place on the James Ralstons’ property—where she lived for five or six years with an Irish servant-woman and a foundling baby. The story of the foundling was another queer episode in Charlotte’s history. From the time of her first illness, when she was only twenty-two or three, she had developed an almost morbid tenderness for children, especially for the children of the poor. It was said—Dr. Lanskell was understood to have said—that the baffled instinct of motherhood was peculiarly intense in cases where lung-disease prevented marriage. And so, when it was decided that Chatty must break her engagement to Joe Ralston and go to live in the country, the doctor had{87} told her family that the only hope of saving her lay in not separating her entirely from her pauper children, but in letting her choose one of them, the youngest and most pitiable, and devote herself to its care. So the James Ralstons had lent her their little farm-house, and Mrs. Jim, with her extraordinary gift of taking things in at a glance, had at once arranged everything, and even pledged herself to look after the baby if 
 Prev. P 30/68 next 
Back Top
Privacy Statement Terms of Service Contact