The Old Maid (The 'Fifties)
alone in this empty house—for it will be an empty house then. But I suppose we ought to face the idea.{111}”

{111}

“I do face it,” said Charlotte Lovell gravely.

“And you dislike Lanning? I mean, as a husband for Tina?”

Miss Lovell folded the evening paper, and stretched out a thin hand for her knitting. She glanced across the citron-wood work-table at her cousin. “Tina must not be too difficult—” she began.

“Oh—” Delia protested, reddening.

“Let us call things by their names,” the other evenly pursued. “That’s my way, when I speak at all. Usually, as you know, I say nothing.”

The widow made a sign of assent, and Charlotte went on: “It’s better so. But I’ve always known a time would come when we should have to talk this thing out.”

“Talk this thing out? You and I? What thing?{112}”

{112}

“Tina’s future.”

There was a silence. Delia Ralston, who always responded instantly to the least appeal to her sincerity, breathed a deep sigh of relief. At last the ice in Charlotte’s breast was breaking up!

“My dear,” Delia murmured, “you know how much Tina’s happiness concerns me. If you disapprove of Lanning Halsey as a husband, have you any other candidate in mind?”

Miss Lovell smiled one of her faint hard smiles. “I am not aware that there is a queue at the door. Nor do I disapprove of Lanning Halsey as a husband. Personally, I find him very agreeable; I understand his attraction for Tina.”

“Ah—Tina is attracted?”

“Yes.”

Mrs. Ralston pushed aside her work and thoughtfully considered her cousi{113}n’s sharply-lined face. Never had Charlotte Lovell more completely presented the typical image of the old maid than as she sat there, upright on her straight-backed chair, with narrowed elbows and clicking needles, and imperturbably discussed her daughter’s marriage.

{113}


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