{136}
Tina—Tina and Lanning Halsey, walking home alone in the small hours from the Vandergrave ball! Delia’s first thought was of an accident: the carriage might have broken down, or else her daughter been taken ill and obliged to return home. But no; in the latter case she would have sent the carriage on with Tina. And if there had been an accident of any sort the young people would have been hastening to apprise Mrs. Ralston; instead of which, through the bitter brilliant night, they sauntered like lovers in a midsummer glade, and Tina’s thin slippers might have been falling on daisies instead of snow.
Delia began to tremble like a girl. In a flash she had the answer to a question which had long been the subject of her{137} secret conjectures. How did lovers like Charlotte and Clement Spender contrive to meet? What Latmian solitude hid their clandestine joys? In the exposed compact little society to which they all belonged, how was it possible—literally—for such encounters to take place? Delia would never have dared to put the question to Charlotte; there were moments when she almost preferred not to know, not even to hazard a guess. But now, at a glance, she understood. How often Charlotte Lovell, staying alone in town with her infirm grandmother, must have walked home from evening parties with Clement Spender, how often have let herself and him into the darkened house in Mercer Street, where there was no one to spy upon their coming but a deaf old lady and her aged servants, all securely sleeping overhead! Delia, at the thought, saw{138} the grim drawing-room which had been their moonlit forest, the drawing-room into which old Mrs. Lovell no longer descended, with its swathed chandelier and hard Empire sofas, and the eyeless marble caryatids of the mantel; she pictured the shaft of moonlight falling across the swans and garlands of the faded carpet, and in that icy light two young figures in each other’s arms.
{137}
{138}
Yes: it must have been some such memory that had roused Charlotte’s suspicions, excited her fears, sent her down in the darkness to confront the culprits. Delia shivered at the irony of the confrontation. If Tina had but known! But to Tina, of course, Charlotte was still what she had long since resolved to be: the image of prudish spinsterhood. And Delia could imagine how quietly and decently the scene below stairs would presently be{139} enacted: no astonishment, no reproaches, no insinuations, but a smiling and resolute ignoring of excuses.
{139}
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