The Old Maid (The 'Fifties)
reason why my little fortune shouldn’t go to Tina. And why she shouldn’t be known as Tina Ralston.” Delia paused. “I believe—I think I know—that Jim would have approved of that too.”

“Approved?”

“Yes. Can’t you see that when he let me take the child he must have foreseen{153} and accepted whatever—whatever might eventually come of it?”

{153}

Charlotte stood up also. “Thank you, Delia. But nothing more must come of it, except our leaving you; our leaving you now. I’m sure that’s what Jim would have approved.”

Mrs. Ralston drew back a step or two. Charlotte’s cold resolution benumbed her courage, and she could find no immediate reply.

“Ah, then it’s easier for you to sacrifice Tina’s happiness than your pride?” she exclaimed.

“My pride? I’ve no right to any pride, except in my child. And that I’ll never sacrifice.”

“No one asks you to. You’re not reasonable. You’re cruel. All I want is to be allowed to help Tina, and you speak as if I were interfering with your rights.{154}”

{154}

“My rights?” Charlotte echoed the words with a desolate laugh. “What are they? I have no rights, either before the law or in the heart of my own child.”

“How can you say such things? You know how Tina loves you.”

“Yes; compassionately—as I used to love my old-maid aunts. There were two of them—you remember? Like withered babies! We children used to be warned never to say anything that might shock Aunt Josie or Aunt Nonie; exactly as I heard you telling Tina the other night—”

“Oh—” Delia murmured.

Charlotte Lovell continued to stand before her, haggard, rigid, unrelenting. “No, it’s gone on long enough. I mean to tell her everything; and to take her away.”

“To tell her about her birth?{155}”

{155}

“I was never ashamed of it,” Charlotte panted.

“You do sacrifice her, then—sacrifice her to your desire for mastery?”


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