The Old Maid (The 'Fifties)
roses and June lilies, the strip of red carpet dividing the rows of chairs{171} from door to chancel—she felt that it had perhaps been a mistake to come back to Lovell Place for the wedding. She saw herself again, in her high-waisted “India mull” embroidered with daisies, her flat satin sandals, her Brussels veil—saw again her reflection in the sallow pier-glass as she had left that same room on Jim Ralston’s triumphant arm, and the one terrified glance she had exchanged with her own image before she took her stand under the bell of white roses in the hall, and smiled upon the congratulating company. Ah, what a different image the pier-glass would reflect tomorrow!

{171}

Charlotte Lovell’s brisk step sounded indoors, and she came out and joined Mrs. Ralston.

“I’ve been to the kitchen to tell Melissa Grimes that she’d better count on at least two hundred plates of ice-cream.{172}”

{172}

“Two hundred? Yes—I suppose she had, with all the Philadelphia connection coming.” Delia pondered. “How about the doylies?” she enquired.

“With your aunt Cecilia Vandergrave’s we shall manage beautifully.”

“Yes.—Thank you, Charlotte, for taking all this trouble.”

“Oh—” Charlotte protested, with her flitting sneer; and Delia perceived the irony of thanking a mother for occupying herself with the details of her own daughter’s wedding.

“Do sit down, Chatty,” she murmured, feeling herself redden at her blunder.

Charlotte, with a sigh of fatigue, sat down on the nearest chair.

“We shall have a beautiful day tomorrow,” she said, pensively surveying the placid heaven.

“Yes. Where is Tina?{173}”

{173}

“She was very tired. I’ve sent her upstairs to lie down.”

This seemed so eminently suitable that Delia made no immediate answer. After an interval she said: “We shall miss her.”


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