It was crazy and impossible. There simply was no way for him to get from a warm, bright navigator's cubicle on Starship Jodrell Bank to this damned, dark, dismal hole of a place where everything was out to hurt him and nothing explained what was going on. He cried aloud in exasperation: "If I could only see!"

He tripped and fell against something that was soft, slimy and, like baker's dough, not at all resilient.

A flickering halo of pinkish light appeared. He sat up, startled. He was looking at something that resembled a suit of medieval armor.

It was, he saw in a moment, not armor but a spacesuit. But what was the light? And what were these other things in the room?

Wherever he looked, the light danced along with his eyes. It was like having tunnel vision or wearing blinders. He could see what he was looking at, but he could see nothing else. And the things he could see made no sense. A spacesuit, yes; he knew that he could construct a logical explanation for that with no trouble—maybe a subspace meteorite striking the Jodrell Bank, an explosion, himself knocked out, brought here in a suit ... well, it was an explanation with more holes than fabric, like a fisherman's net, but at least it was rational.

How to explain a set of Gibbon's Decline and Fall of the Roman Empire? A space-ax? Or the old-fashioned child's rocking-chair, the chemistry set—or, most of all, the scrap of gaily printed fabric that, when he picked it up, turned out to be a girl's scanty bathing suit? It was slightly reassuring, McCray thought, to find that most of the objects were more or less familiar. Even the child's chair—why, he'd had one more or less like that himself, long before he was old enough to go to school. But what were they doing here?

Not everything he saw was familiar. The walls of the room itself were strange. They were not metal or plaster or knotty pine; they were not papered, painted or overlaid with stucco. They seemed to be made of some sort of hard organic compound, perhaps a sort of plastic or processed cellulose. It was hard to tell colors in the pinkish light. But they seemed to have none. They were "neutral"—the color of aged driftwood or unbleached cloth.

Three of the walls were that way, and the floor and ceiling. The fourth wall was something else. Areas in it had the appearance of gratings; from them issued the pungent, distasteful halogen odor. They might be ventilators, he thought; but if so the air they brought in 

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