The Push of a Finger
"We've got a few clues. First, the Universe has ended through an attempt to pervade it with energy from hyperspace. Second, the attempt failed for a number of reasons which we can't discover yet. Third, the attempt was made in secrecy. Why?"

The controller said: "Why not? Scientists and all that—"

"I don't mean that kind of secrecy. These men were plainly outside the law, carrying on an illicit experiment. We must find out why energy experiments or atomic experiments were illegal. That will carry us back quite a few decades toward the present."

"But how?"

"Why, we trace the auxiliary cruiser, of course. If we can pick them up when they're purchasing supplies, we'll narrow our backward search considerably. Can you do it, Dr. Yarr?"

"It'll take time."

"Go ahead—we've got a thousand years."

It took exactly two days. In that time I learned a lot about the Prognosticator. They had it worked out beautifully. Seems the future is made up solely of probabilities. The Integrator could push down any one of these possible avenues, but with a wonderful check. The less probable the avenue of future was, the more off-focus it was. If a future event was only remotely possible, it was pictured as a blurred series of actions. On the other hand, the future that was almost-positive in the light of present data, was sharply in focus.

When we went back to the Prog Building two days later, Yarr was almost alive in his excitement. He said: "I really think I've got just the thing you're looking for."

"What's that?"

"I've picked up an actual moment of bribery. It has additional data that should put us directly on the track."

We sat down behind the desk with Yarr at the controls. He had a slip of paper in his hand which he consulted with much muttering as he adjusted co-ordinates. Once more we saw the preliminary off-focus shadows, then the sound blooped on like a hundred Stereo records playing at once. The crystal sharpened abruptly into focus.

The scream and roar of a gigantic foundry blasted our ears. On both sides of the scene towered the steel girder columns of the foundry walls, stretching deep into the background like the grim pillars of a satanic cathedral. Overhead cranes carried enormous blocks of 
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