therefore pipe no longer for pay, but merely for pleasure. [Pg 45] He had also laid in a store of fair foolscap paper and a large bottle of ink. The joy of creation had taken possession of him. His brain was again fertile. It was partly on this account that he had been ready to take up a fixed abode, since fate had flung one in his path. He owed it to the children of his brain to give them every chance, though his first child had been brought forth amidst difficulties and hardships. The news that a stranger, wearing a peacock feather in his hat, had taken up his abode in the cottage of ill-omen spread like wild-fire through [Pg 46]the village. Women glanced at him with frightened eyes, men regarded him with suspicion. The owner of the provision shop, indeed, held a kind of neutral ground. Until it should be proved that Peter’s shillings were accursed, he might as well have the advantage of them. [Pg 46] The children looked at Peter with awe, mingled with curiosity. There was a kind of fearful joy in watching one who was a friend of that terrible personage the Devil. At night, truly, he was to be avoided, but in daylight, with his bronzed face and brilliant peacock feather, he looked not unprepossessing. Moreover, he could pipe. Wee Rob, the miller’s lame son, had first heard him, and had called to the other children. There had been a reconnoitring party down the lane. On tiptoe feet, breath suspended, eyes round with awe, they had gone. Through the bushes they had seen him at the cottage door, the pipe at his lips. And the music had been full of they knew not what of magic, joy and gladness. With parted lips and eyes full of childish wonder they had listened. Fear had vanished to the four winds of heaven, blown far far away by the sweet notes of the pipe. [Pg 47] [Pg 47] And then Peter had stopped and moved. There had been the scuttling of little feet and the tapping of a crutch. But the tapping of the crutch had been reluctant in its retreat, for the magic of the piping lingered with Wee Rob. By day, then, Peter wrote in his cottage, piped his tunes, or walked the moorland above the village. By night he slept and dreamt of the book he was writing, though often through his dreams he fancied he heard the sound of that pitiful sobbing. In his waking
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