Joining together these historical testimonies and the popular traditions, it is not difficult to come to a pretty accurate conclusion as to the real character of Doctor Faust. He appears to have been a man of extensive learning, especially in medical and astrological, perhaps too in philological and theological, science. But, driven by a restless spirit, and a vain desire of popular applause, he seems to have early abandoned the calm and steady path that leads to professional eminence, and sought after that noisy but less substantial fame, which his scientific skill was fitted to procure for him in the eyes of the gazing multitude. Many of the greatest philosophers, indeed, as Solomon, Roger Bacon, and Cornelius Agrippa, have been accounted magicians for no other reason than their uncommon wisdom, far surpassing that of the age in which they lived; but there is too much reason to suspect that Faust’s fame as a magician rests upon much more questionable grounds, and the whole account of his life and exploits leaves upon our mind the impression that he was a very clever vagabond quack, rather than a retired and contemplative philosopher. There is much in all that is told of him that recalls to our mind the biography of Paracelsus, a man certainly of great genius, but of much greater impudence, who gained his living by acting upon the folly of mankind.[i19] By all accounts, indeed, Faust was a man of much more distinguished academic learning than Paracelsus, of whom historians even question whether he ever studied at any university; but as a vagabond, a boaster, and a wonder-promiser, the one is perhaps only not superior to the other. With a little knowledge of medicine, a little classical lore, some dexterity in performing sleight-of-hand wonders, and a panoply of assurance, a clever man like Faust or Paracelsus may easily obtain a livelihood, and, what is more, an imperishable name. For such characters a strolling life is at once a pleasure and a necessity. Paracelsus soon lost his chair at Basle,—for a man is never a hero to his valet-de-chambre,—and, if we may believe the common legend, Faust scarcely left a corner of the earth unvisited, and filled Asia and Europe with his renown. And verily he has had his reward. Since the time of his death, not only Germany, but England, France, and Holland, have swarmed with “prodigious and lamentable histories” of the “great magician John Faust, with his testament and his terrible death.” Magical books under his name have become as famous as those of Solomon;[i20] artists and poets have vied with one another in rendering his name immortal in the annals of Art; tragedies and comedies, puppet-plays and operas, ballads and novels, essays, and dissertations and