The Attack on the Mill, and Other Sketches of War
the landscape. The lengthening shadows of the great trees stretched far athwart the fields in bands of blackness, while in such spots as were unobscured the grass appeared of a tender green, soft as velvet. But Françoise did not stop to consider the mysterious charm of night. She was scrutinising the country and[Pg 94] looking to see where the Germans had posted their sentinels. She could clearly distinguish their dark forms outlined along the course of the Morelle. There was only one stationed opposite the mill, on the far bank of the stream, by a willow whose branches dipped in the water—Françoise had an excellent view of him; he was a tall young man, standing quite motionless with face upturned toward the sky, with the meditative air of a shepherd.

[Pg 94]

When she had completed her careful inspection of localities she returned and took her former seat upon the bed. She remained there an hour, absorbed in deep thought. Then she listened again; there was not a breath to be heard in the house. She went again to the window and took another look outside, but one of the moon’s horns was still hanging above the edge of the forest, and this circumstance doubtless appeared to her unpropitious, for she resumed her waiting. At last the moment seemed to have arrived; the night was now quite dark; she could no longer[Pg 95] discern the sentinel opposite her, the landscape lay before her black as a sea of ink. She listened intently for a moment, then formed her resolve. Close beside her window was an iron ladder made of bars set in the wall, which ascended from the mill-wheel to the granary at the top of the building, and had formerly served the miller as a means of inspecting certain portions of the gearing, but a change having been made in the machinery the ladder had long since become lost to sight beneath the thick ivy that covered all that side of the mill.

[Pg 95]

Françoise bravely climbed over the balustrade of the little balcony in front of her window, grasped one of the iron bars and found herself suspended in space. She commenced the descent; her skirts were a great hindrance to her. Suddenly a stone became loosened from the wall, and fell into the Morelle with a loud splash. She stopped, benumbed with fear, but reflection quickly told her that the waterfall, with its continuous roar, was sufficient to deaden any noise[Pg 96] that she could make, and then she descended more boldly, putting aside the ivy with her foot, testing each round of her ladder. When she was on a level with the room that had been converted into a prison for her lover she stopped. An 
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