Three Soldiers
       “Three months.... Ain't so long.” The man spat again, and climbing down from his ladder waited, leaning against the wall, until Andrews should finish soaping his window.     

       “I'll go crazy if I stay here three months.... I've been here a week,”        muttered Andrews between his teeth as he climbed down and moved his ladder to the next window.     

       They both climbed their ladders again in silence.     

       “How's it you're in Casuals?” asked Andrews again.     

       “Ain't got no lungs.”      

       “Why don't they discharge you?”      

       “Reckon they're going to, soon.”      

       They worked on in silence for a long time. Andrews stared at the upper right-hand corner and smeared with soap each pane of the window in turn. Then he climbed down, moved his ladder, and started on the next window. At times he would start in the middle of the window for variety. As he worked a rhythm began pushing its way through the hard core of his mind, leavening it, making it fluid. It expressed the vast dusty dullness, the men waiting in rows on drill fields, standing at attention, the monotony of feet tramping in unison, of the dust rising from the battalions going back and forth over the dusty drill fields. He felt the rhythm filling his whole body, from his sore hands to his legs, tired from marching back and forth from making themselves the same length as millions of other legs. His mind began unconsciously, from habit, working on it, orchestrating it. He could imagine a vast orchestra swaying with it. His heart was beating faster. He must make it into music; he must fix it in himself, so that he could make it into music and write it down, so that orchestras could play it and make the ears of multitudes feel it, make their flesh tingle with it.     

       He went on working through the endless afternoon, climbing up and down his ladder, smearing the barrack windows with a soapy rag. A silly phrase took the place of the welling of music in his mind: “Arbeit und Rhythmus.” He kept saying it over and over to himself: “Arbeit und Rhythmus.” He tried to drive the phrase out of his mind, to bury his mind in the music of the rhythm that had come to him, that expressed the dusty boredom, the harsh constriction of 
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