The Mine with the Iron Door
never without directness and point. To compensate for this burden of re{19}sponsibility, the parent was permitted to say “my gal” while the critic, by the rules of the game, must invariably say “that gal of yourn.”

{19}

While Thad the father was currying his daughter’s horse, Nugget—a bright little pinto—Bob squatted comfortably on his heels, his back against the wall of the barn.

“Pardner,” he said, as one who speaks after mature deliberation, “I ain’t meanin’ to mix none in your family affairs, but as a friend I’m a-feelin’ constrained to remark that you ain’t doin’ right by that gal of yourn nohow.”

Marta’s father was making a careful examination of the pinto’s off forefoot and seemed not to hear.

Bob continued:

“Anybody can see that she comes mighty nigh bein’ grown up. First thing you know somebody’ll make her understand all to once that she’s a woman, and then——“

Thad dropped the pinto’s foot and glared at his pardner over the horse’s back.

“Then what?”

“Then she’ll be wantin’ to know things. An’—it might be too late to tell her.”

“You mean that I ought to tell my gal what we know about her?” demanded Marta’s father. “Is that what you’re tryin’ to say?”

“You guessed it, Pardner,” returned the critical one cheerfully. “It’s time that your gal knowed about herself. Bein’ her daddy, it’s up to you to tell her.{20}”

{20}

The other exploded:

“Which is exactly what I tried all last week to tell you, when you was her daddy, you blamed old numskull, an’ you wouldn’t near listen to me. A healthy father you are. When it’s your daughter that ought to be told, you can’t even whisper, but when she’s mine you can yell your fool head off tellin’ me what I ought to do. Besides, you said yourself that we don’t actually know enough to tell her anything.”

“But that was last week, you see,” returned Bob calmly. “You was doin’ the talkin’ then—now I’m tellin’ you.”

When Thad, without 
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