yellow satin coat on the half-length portrait of a rubicund Latham in a white coburg, which but for the manly and sensitive mouth might have been the portrait of his own coachman. Apart from that spot of beautiful colour the vast room with its windows giving on a terrace (from which Sir Charles was in the habit of viewing sunsets) remained dim with an effect of immensity in which the occupants, and even Sir Charles himself, acquired the appearance of unsubstantial shadows uttering words that had to travel across long, almost unlighted distances. 

 On one side of the mantelpiece of Italian marbles (a late addition designed by Sir Charles himself) Lady Latham's profuse jewellery sparkled about her splendid and restful person posed placidly on a sofa. Opposite her, the Marquise would be lying down on a deep couch with one of Lady Latham's shawls spread over her feet. The D'Armands in their flight from the Terror had saved very little besides their lives, and the Marquise d'Armand's life had by this time become a very precarious possession. 

 Sir Charles was perhaps more acutely aware of this than the Marquis her husband. Sir Charles remembered her gentle in her changing moods of gaiety and thought, charming, active, fascinating, and certainly the most intelligent as she was the most beautiful of the women of the French court. Her voice reaching him clear but feeble across the drawing room had a pathetic appeal; and the tone of his answers was tinged with the memory of a great sentiment and with the deference due to great misfortunes. From time to time Lady Latham would make a remark in a matter-of-fact tone which would provoke something resembling curtness in Sir Charles's elaborately polite reply, and the thought that woman would have made the very Lord's Prayer sound prosaic. And then in the long pauses they would pursue their own thoughts as perplexed and full of unrest as the world of seas and continents that began at the edge of the long terrace graced by gorgeous sunsets; the wide world filled with the strife of ideas and the struggle of nations in perhaps the most troubled time of its history. 

 From the depths of the Italian chimneypiece the firelight of blazing English logs would fall on Adèle d'Armand sitting quietly on a low stool near her mother's couch. Her fair hair, white complexion, and dark blue eyes contrasted strongly with the deeper colour scheme of Henrietta Latham, whose locks were rich chestnut brown and whose eyes had a dark lustre full of intelligence rather than sentiment. Now and then the French child would turn her head to look at Sir Charles, for whom in her silent existence she 

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