their vocabulary to raise a doubt as to whether the idea itself emanated from them. But when we listen to their speech, we at once observe that although they may not have, like us, a choice of words suited to every shade of thought, yet they assuredly have words enough to formulate what they think and to describe what strikes their senses. 

 Therefore it is not, as some have reproachfully declared, for the petty pleasure of producing a style hitherto unused in literature, and still less to revive ancient forms of speech and old expressions which all the world knows and is familiar with, that I have bound myself to the humble task of preserving to Étienne Depardieu's tale the local color that belongs to it. It is, rather, because I find it impossible to make him speak as we do without distorting the methods by which his mind worked when he expressed himself on points with which he was not familiar, and as to which he evidently had a strong desire both to understand and to make himself understood. 

 If, in spite of the care and conscientiousness which I shall put into this task, you find that my narrator sometimes sees too clearly or too deeply into the subjects he takes up, you must blame the weakness of my presentation. Forced as I am to choose among our familiar terms of speech such only as all classes can understand, I voluntarily deprive myself of those that are most original and most expressive; but, at any rate, I shall endeavor to employ none which would be unknown to the peasant who tells the tale, and who (far superior in this to the peasant of to-day) did not pride himself on using words that were unintelligible to both his hearers and himself. 

 I dedicate this novel to you, my dear Eugène, not to give you a proof of motherly affection, which you do not need to make you feel at home in my family, but to leave with you, after I am gone, a point of contact for your recollections of Berry, which has now become, in a way, the land of your adoption. You will hereafter recall that you said, at the time I was writing it: "By the bye, it will soon be ten years since I came here, intending to spend a month. I must be thinking of leaving."  And as I did not see the why and the wherefore, you explained to me that, being a painter, you had worked ten years among us to observe and feel nature, and that it was now necessary you should go to Paris and seek discipline of thought and the experience of others. I let you go; but on condition that you would return to us every summer. Do not forget your promise. I send this book, a distant echo of our bagpipes, to remind you that the trees are budding, the 

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