was hot enough here. Only one other occupant of the room, and he was fast asleep in another armchair. Snoring. The room rocked with his snores. The papers laid neatly one upon another wilted under the heat. The subdued London roar came from behind the windows in rolling waves of heat. A faint iridescence hovered above the enormous chairs and sofas that lay like animals panting. 

 He looked across the long room. Almost opposite him was a square of wall that caught the subdued light like a pool of water. He stared at it as though it had demanded his attention. The water seemed to move, to shift. Something was stirring there. He looked more intently. Colours came, shapes shifted. It was a scene, some place. Yes, a place. Houses, sand, water. A bay. A curving bay. A long sea-line dark like the stroke of a pencil against faint egg-shell blue. Water. A bay bordered by a ring of saffron sand, and behind the sand, rising above it, a town. Tier on tier of houses, and behind them again in the farthest distance a fringe of dark wood. He could even see now little figures, black spots, dotted upon the sand. The sea now was very clear, shimmering mother-of-pearl. A scattering of white upon the shore as the long wave-line broke and retreated. And the houses tier upon tier. He gazed, filled with an overwhelming breathless excitement. He was leaning forward, his hands pressing in upon the arms of the chair. It stayed, trembling with a kind of personal invitation before him. Then, as though it had nodded and smiled farewell to him, it vanished. Only the wall was there. 

 But the excitement remained, excitement quite unaccountable. 

 He got up, his knees trembling. He looked at the stout bellying occupant of the other chair, his mouth open, his snores reverberant. 

 He went out. Six days later he was in the train for Treliss. 

VII

 Now too, of course, he had his reactions just as he always had. He could explain the thing easily enough; for a moment or two he had slept, or, if he had not, a trick of light on that warm afternoon and his own thoughts about possible places had persuaded him. 

 Nevertheless the picture remained strangely vivid—the sea, the shore, the rising town, the little line of darkening wood. He would go down there, and on the day that Maradick had suggested to him. Something might occur. You never could tell. He packed his etchings—his St. Gilles, Marais, his Flight into Egypt and Orvieto, his Whistler and Strang and Meryon. They would protect him and 

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