Portrait of a Man with Red Hair: A Romantic Macabre
and a pool of dark shadow, there a distant spire on the curving hill that he thought would have caught the fancy of his beloved Lepère, or Legros. Here a wayside pool like brittle glass that would have enchanted Appian, there a cottage with a sweeping field that might have made Rembrandt happy. 

 He seemed to be in unison with the whole of nature, and when the road left the fields and dived into the heart of a common his happiness was complete. He stood there, his feet pressing in upon the rough springing turf. A lark, singing above him, came down as though welcoming him, then circled up and up and up. He raised his head, staring into the pale faint blue until he seemed himself to circle with the bird, the turf pressing him upwards, his hands lifting him, he swinging into spaceless ecstasy. Then his gaze fell again and swung out beyond, and—there was the sea. 

 The Down ran in a green wave to the blue line of the sky, but in front of him it split, breaking into brown rocky patches, and between the brown curves a pool of purple sea lay like water in a cup. 

 He walked forward, deserting for a moment the road. He stood at the edge of the cliff and looked down. The tide was high and the line of the sea slipped up to the feet of the cliff, splashed there its white fringe of spray, then very gently fell back. Sea-pinks starred the cliffs with colour. Sea-gulls whirled, fragments of white foam, against the blue. Just below him one bird sat, its head cocked, waiting. With a shrill cry of vigour and assurance it flashed away, curving, circling, bending, dipping, as though it were showing to Harkness what it could do. 

 He walked along the cliff path happier than he had been for many, many months. This was enough were there no more than this. For this at least he must thank Maradick—this peace, this air, this silence. . . . 

 Turning a bend of the cliff he saw the town. 

IX

 It was absolutely the town of his vision. He saw, with a strange tightening of his heart as though he were being warned of something, that was so. There was the curving bay with the faint fringe of white pencilling the yellow sand, there the houses rising tier on tier above the beach, there the fringe of dusky wood. 

 What did it mean? Why had he a clutch of terror as though some one was whispering to him that he must turn tail and run? Nothing could be more lovely than that town basking in the mellow afternoon 
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