Portrait of a Man with Red Hair: A Romantic Macabre
 As he went downstairs he felt a tremendous sense of liberation. It was as though he had, after many hesitations and fears, passed through the first room successfully and closed the door behind him. Now there was the second room to be confronted. 

 What he immediately confronted was the garden of the hotel. The sun was slowly setting in the west, and great amber clouds, spreading out in swathes of colour, ate up the blue. 

 The amber flung out arms as though it would embrace the whole world. The deep blue ebbed from the sea, was pale crystal, then from length to length a vast bronze shield. The amber receded as though it had done its work, and myriads of little flecks of gold ran up into the pale blue-white, thousands of scattered fragments like coins flung in some God-like largesse. 

 The bronze sea was held rigid as though it were truly of metal. The town caught the gold and all the windows flashed. In the fresh evening light the grass of the lawn seemed to shine with a fresh iridescence—the farther hills were coldly dark. 

 Several people were walking up and down the gravel paths pausing before going in to dinner. In the golden haze only those things stood out that were more important for the scene, nature, as always, being more theatrical than any man-contrived theatre. The stage being set, the principal actor made his entrance. 

 A window running to the gravel path caught the level rays of the setting sun. A man stepped before this, stopping to light a cigarette and then, being there, stayed like an oriental image staring out into the garden. 

 Harkness looked casually, then looked again, then, fascinated, remained watching. He had never before seen such red hair nor so white a face, nor so large a stone as the green one that shone in a ring on the finger of his raised hand. He was lighting his cigarette—it was after this that he fell into rigid immobility, and the fire of the match caught the ring until, like a great eye, it seemed to open, wink at Harkness, and then regard him with a contemptuous stare. 

 The man's hair was en brosse, standing straight on end as Loge's used to do in the old pre-war Bayreuth "Ring." It was, like Loge's, a flaming red, short, harsh, instantly arresting. Evening dress. One small black pearl in his shirt. Very small feet in shining shoes. 

 There had stuck in Harkness's mind a phrase that he had encountered once in George Moore's 
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