Go, like black priests up, and so

Down the other side again

To another greater, wilder country. . . .

'To another greater, wilder country . . .

'To another greater . . .'

 The soul of Charles Percy Harkness slipped, like a neat white pocket-handkerchief, out through the carriage window into the silver-blue air, hung there changing into a tiny white fleck against the immensity, struggling for escape above the purple-pointed trees of the dark wood, then, realising that escape was not yet, fluttered back into the carriage again, was caught by Charles Percy, neatly folded up, and put away. 

 The Browning lines—old-fashioned surely?—had yielded it a moment's hope. Those and some other lines from another outmoded book: 

 "But the place reasserted its spell, marshalling once again its army, its silver-belted knights, its castles of perilous frowning darkness, its meadows of gold and silver streams. 

 "The old spell working the same purpose. For how many times and for what intent? That we may be reminded yet once again that there is the step behind the door, the light beyond the window, the rustle on the stair, and that it is for these things only that we must watch and wait?" 

 For Harkness had committed the folly of having two books open on his knee—a peek at one, a peek at another, a long, eager glance through the window at the summer scene, but above all a sensuous state of slumber hovering in the hot scented afternoon air just above him, waiting to pounce . . . to pounce . . . 

 First Browning, then this other, the old book in a faded red-brown cover, "To Paradise! Frederick Lester." At the bottom of the title-page, 1892—how long ago! How faded and pathetic the old book was! He alone in all the British Isles at that moment reading it—certainly no other living soul—and he had crossed to Browning after Lester's third page. 

 He swung in mid-air. The open fields came swimming up to him like vast green waves, gently to splash upon his face, hanging over 

 Prev. P 4/170 next