Portrait of a Man with Red Hair: A Romantic Macabre
Mine," and suddenly whooping with its own excitement, showing so much emotion that it would not have been surprising to find it, at any moment, leap its bearings and come hurtling down into the middle of the crowd. 

 The booths were thick with buyers and sellers, and every one, to Harkness's excited fancy, seemed to be screaming at the highest pitch of his or her strident voice. 

 Here was everything for saleā€”hats, feathers, coats, skirts, dolls, wooden dolls, rag dolls, china dolls, monkeys on sticks, ribbons, gloves, shoes, umbrellas, pies, puddings, cakes, jams, oranges, apples, melons, cucumbers, potatoes, cabbages, cauliflowers, broaches, diamonds (glass), rubies (glass), emeralds (glass), prayer books, bibles, pictures (King George, Queen Mary), cups, plates, tea-pots, coffee-pots, rabbits, white mice, dogs, sheep, pigs, one grey horse, tables, chairs, beds, and one wooden house on wheels. More than these, much more. And around them, about them, in and out of them, before them and beside them and behind them men, women, children, singing, crying, shouting, sneezing, laughing, hiccuping, quarrelling, kissing, arguing, denying, confirming, whistling, and snoring. Men of the sea bronzed with dark hair, flashing eyes, rings on their fingers and bells on their toes; men of the fields, the soil interpenetrated with the very soul of their being, bearded to the eyes, broad-shouldered, broad-buttocked, their Sunday coats flapping over their corduroyed thighs, their rough thick necks moving restlessly in their unaccustomed collars; women of the fair with eyes like black coals; gipsy women straight from the tents with crimson kerchiefs and black hair piled high under feathered hats; women of the town with soft voices, sidling eyes and creeping hands; women of the farm with gaze wondering and adrift, hands like leather, children at their skirts; women householders with their purses carefully clutched, their hands feeling the cabbages, pinching the cauliflowers, estimating the chairs and tables, stroking the china; young boys and girls, confidence in their gaze, timidity in their hearts, suddenly catching hands, suddenly embracing, suddenly triumphant on their merry-go-round, suddenly everything, conscious of the last penny burning deep down in the pocket, conscious of love, conscious of appetite, conscious of possible remorse, conscious of blood pounding in their veins. And the magicians, the wonder workers, the steal-a-pennies, the old men with white beards and trays of coloured treasures, the bold bad men with their thimble and their penny, the little stumpy, fellow with his cards, the long thin melancholy fellow with his medicines, the thick 
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