recondite. The koprolalian kind, those which are common in colleges and among the clergy, I have had the injustice to label Roman Catholic Stories. If it were necessary to designate them with particularity, the classic epithet Milesian would serve: but it is never necessary. I have not often offended in this way: but now and then, according to the company in which I have happened to be. I confess that I have sinned against myself—for example, I have not avoided ease and luxury. I have only been too glad to enjoy them when they[Pg 51] came in my way. I have been fastidious in my person, my tastes, my dress, affecting delicate habits, likes, and dislikes. I hate getting up early in the morning; and do it with a bad grace. I am dainty in my diet. I never have conquered my natural antipathy to flesh-meat, especially to entrails such as sweet-breads and kidneys. I abhor fish-meat on account of its abominable stench. Formerly, I never would sit at a table where fish-meat was served. I can do that now, with an effort of will: but I could not eat fish without physical nausea. I never will eat it. Once I made a man sick by the filthy comparison which I used in regard to some oysters which he was about to eat.... I have not avoided dangerous occasions of sin: I have not been prompt to resist temptation. For example, my desire to improve my knowledge leads me to minute appreciation and analysis of everything which interests me. In regard to the fine arts, I study the nude, human anatomy, generally with no emotion beyond passionate admiration for beauty. I never have been able to find beauty shameful: ugliness, yes. In regard to literature, I have read prohibited books and magazines—the Nineteenth Century, and books ancient and modern which are of a certain kind. My motive always has been to inform myself. I perfectly have known into what areas of temptation I was straying. As a rule, no effect has been produced on me, save the feeling of disgust at writers who write grossly for the sake of writing grossly, like Stratōn, or Pontano. I confess that two or three times in my life I have delighted in impure thoughts inspired by some lines in Cicero's Oration for M. Coelius: and, perhaps half a dozen times by a verse of John Addington Symonds in the Artist. I confess that I have dallied with these thoughts for an instant before dismissing them. There is one thing which I never have mentioned in confession to my satisfaction. I mean that I have mentioned it in vague terms only. I have not[Pg 52] felt quite sure about it. I know that I cannot think of it and of the stainless purity of the Mother-Maid at the same time. Hence I conclude that I am guilty——"

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