who had served him.

“Only the check,” answered Kenyon. He felt for his card-case, after the waiter had turned away; it held a single ten-dollar bill, and this he regarded ruefully.

“It is not much of a defence against the aggressions of the world,” said he. “And I fancy that this little dinner will put a rather large-sized breach in it.” He turned the check over gingerly. “Seven-fifty! Whew! Why, that would have kept me half a lifetime in Rio.”

Then he stood up to be helped on with his long top-coat. His dress clothes had been made in Montevideo, but a good English tailor had done the work, and they looked well even under the searching eyes and lights of the Berlin. But almost anything would have looked well on Kenyon; he was of the tall, wide-shouldered type that wear even shapeless things with distinction.

“Danke schön,” said the waiter as he slipped the coin handed him into his waistcoat pocket, and gravely bowed his patron out.

[13]Drawing on his gloves Kenyon leisurely walked up Broadway. People turned and glanced after him with curious eyes, for there was always a sort of elegance in Kenyon’s manner of dress that commanded attention. But it was not alone the hang of a smoothly fitting coat over the shapely, powerful figure; there was the good-humored, good-looking face, also an air of quiet distinction and breeding; and then, stamped all over him, so to speak, was the resolution that makes victors of desperately circumstanced men.

[13]

No one, to look at him as he walked slowly along, would have dreamed that this immaculate creature had stood, only seven hours before, stripped to the waist in the stoke-hole of the British ship Blenheim. Yet it was so. He had boarded her at Rio when she touched there two weeks before; and though the fire-room was no inviting prospect, still it was better than Rio. A Latin-American city is never a place for a penniless Gringo.

The section called the “Great White Way” lay before Kenyon like a shimmering vortex.

“It screams like a phonograph,” pronounced the young man, critically. “And it’s just as ceaseless, as senseless, and as raucous. This is the spot, I think, that old Colonel Ainsleigh at West Point used to call a phosphorescent ulcer. And it looks it. It’s the[14] pride spot of the habitual New Yorker from the small town—the money dump—the place of cakes and ale.”

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