The Prince of India; Or, Why Constantinople Fell — Volume 01
but saw nothing different from the general surface in that quarter. The master beckoned the negro, and touching a stone not wider than his three fingers, but reddish in hue, and looking like mere chinking lodged in an accidental crevice, signed him to strike it with the end of the bar. Once—twice—the stone refused to stir; with the third blow it was driven in out of sight, and, being followed vigorously, was heard to drop on the other side. The wall thereupon, to the height of the sarcophagus and the width of a broad door, broke, and appeared about to tumble down. 

 When the dust cleared away, there was a crevice unseen before, and wide enough to admit a hand. The reader must remember there were masons in the old time who amused themselves applying their mathematics to such puzzles. Here obviously the intention had been to screen an entrance to an adjoining chamber, and the key to the design had been the sliver of red granite first displaced. 

 A little patient use then of hand and bar enabled the workman to take out the first large block of the combination. That the master numbered with chalk, and had carefully set aside. A second block was taken out, numbered, and set aside; finally the screen was demolished, and the way stood open. 

 CHAPTER III 

 THE HIDDEN TREASURE 

 The slaves looked dubiously at the dusty aperture, which held out no invitation to them; the master, however, drew his robe closer about him, and stooping went in, lamp in hand. They then followed. 

 An ascending passage, low but of ample width, received them. It too had been chiselled from the solid rock. The wheel marks of the cars used in the work were still on the floor. The walls were bare but smoothly dressed. Altogether the interest here lay in expectation of what was to come; and possibly it was that which made the countenance of the master look so grave and absorbed. He certainly was not listening to the discordant echoes roused as he advanced. 

 The ascent was easy. Twenty-five or thirty steps brought them to the end of the passage. 

 They then entered a spacious chamber circular and domed. The light of the lamps was not enough to redeem the ceiling from obscurity; yet the master led without pause to a sarcophagus standing under the centre of the dome, and when he was come there everything else was forgotten by him. 

 The receptacle of the dead thus 
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