Black no moreBeing an account of the strange and wonderful workings of science in the land of the free, A.D. 1933-1940
conversation. Then Max Disher burst in the door with a guard hanging onto his coat tail.

"Let loose o' me, Boy," he quarreled. "I got an engagement here. Doc, tell this man something, will you."

Crookman nodded to the guard to release the insurance man. "Well, I see you're right on time, Max."

"I told you I'd be Johnny-on-the-spot, didn't I?" said Disher, inspecting his clothes to see if they had been wrinkled.

"Well, if you're all ready, go into the receiving room there, sign the register and get into one of those bathrobes. You're first on the list."

The three partners looked at each other and grinned as Max disappeared into a small room at the end of the corridor. Dr. Crookman went into his office to don his white trousers, shoes and smock; Johnson and Foster entered the business office to supervise the clerical staff, while white-coated figures darted back and forth through the corridors. Outside, the murmuring of the vast throng grew more audible.

Johnson showed all of his many gold teeth in a wide grin as he glanced out the window and saw the queue of Negroes already extending around the corner. "Man, man, man!" he chuckled to Foster, "at fifty dollars a th'ow this thing's gonna have th' numbah business beat all hollow."

"Hope so," said Foster, gravely.

Max Disher, arrayed only in a hospital bathrobe and a pair of slippers, was escorted to the elevator by two white-coated attendants. They got off on the sixth floor and walked to the end of the corridor. Max was trembling with excitement and anxiety. Suppose something should go wrong? Suppose Doc should make a mistake? He thought of the Elks' excursion every summer to Bear Mountain, the high yellow Minnie and her colorful apartment, the pleasant evenings at the Dahomey Casino doing the latest dances with the brown belles of Harlem, the prancing choruses at the Lafayette Theater, the hours he had whiled away at Boogie's and the Honky Tonk Club, and he hesitated. Then he envisioned his future as a white man, probably as the husband of the tall blonde from Atlanta, and with firm resolve, he entered the door of the mysterious chamber.

He quailed as he saw the formidable apparatus of sparkling nickel. It resembled a cross between a dentist's chair and an electric chair. Wires and straps, bars and levers protruded from it and a great nickel headpiece, like the helmet of a 
 Prev. P 13/135 next 
Back Top
Privacy Statement Terms of Service Contact